Pinku eiga

Pinku eiga (Jabbaan: ピンク映画; "filim basali") waa erey guud ahaan loo isticmaalo nooc kasta oo filim Jabaan ah oo ka kooban qaawan ama galmo. Ereyga wuxuu ka kooban yahay dhammaan noocyada filimada, laga bilaabo riwaayado ilaa jilayaal ficil iyo ka faa'iideysasho.

Filimada basali ayaa si weyn caan u noqday badhtamihii 1960-yadii waxayna xukumaan shineemooyinka gudaha Japan illaa bartamihii 1980-meeyadii.^[1]^[2] 1960-meeyadii, filimada casuusku waxay inta badan ahaayeen wax -soo -saarka istuudiyaha yar yar, ee madaxbannaan. Qiyaastii 1970 -kii, istuudiyaha weyn ee Nikkatsu wuxuu bilaabay inuu diiradda saaro ku dhawaad waxyaabaha ku saabsan galmada, laakiin Toei, oo ah shirkad kale oo weyn oo soosaarista filimada, ayaa bilowday soo saarista xariiqda waxa loo yaqaan filimada Rabshadaha ee Pinky. Iyaga oo helaya qiimayaasha wax -soo -saarka sare iyo kartida, qaar ka mid ah filimadaan waxay noqdeen guulo muhiim ah oo caan ah.^[3] In kasta oo muuqaalka fiidiyowga qaangaarka ah uu u horseeday daawadayaasha inay ka fogaadaan filimkii casaan 1980-meeyadii, haddana filimada noocyadan ayaa weli la soo saaraa.

Filimada caanka ah ee basali filim

Flesh Market (Kobayashi, 1962)
Daydream (Tetsuji Takechi, 1964)
The Embryo Hunts In Secret (Koji Wakamatsu, 1966)
Violated Angels (Wakamatsu, 1967)
Inflatable Sex Doll of the Wastelands (Yamatoya, 1967)
Slave Widow (Noriko Tatsumi, 1967)
Go, Go Second Time Virgin (Wakamatsu, 1969)
Sexy Battle Girls (1986)
S&M Hunter (Shuji Kataoka, 1986)
Tokyo Decadence (Ryu Murakami, 1992)
The Glamorous Life of Sachiko Hanai (Meike, 2003)
Ambiguous (Ueno, 2003)
Uncle's Paradise (Imaoka, 2006)

Tixraacyada

↑ Richie, Donald. "After the Wave". Kodansha International. ISBN 4-7700-2682-X. For a time, almost half of the annual film production figures released in Japan were composed of these hour-long mini-features. Maqan ama ebar |title= (caawin)
↑ Domenig, Roland. https://web.archive.org/web/20041118094603/http://194.21.179.166/cecudine/fe_2002/eng/PinkEiga2002.htm. Waxaa laga kaydiyay the original 2004-11-18. Soo qaatay 2007-02-19. Since the mid-1960s, pink eiga have been the biggest Japanese film genre... By the late 1970s the production of pink eiga together with Roman Porno amounted to more than 70% of annual Japanese film production. Maqan ama ebar |title= (caawin)
↑ Domenig, Roland. https://web.archive.org/web/20041118094603/http://194.21.179.166/cecudine/fe_2002/eng/PinkEiga2002.htm. Waxaa laga kaydiyay the original 2004-11-18. Soo qaatay 2007-02-19. Barameter aan la aqoon |url-status= ignored (caawin); Maqan ama ebar |title= (caawin)

[1] Richie, Donald. "After the Wave". Kodansha International. ISBN 4-7700-2682-X. For a time, almost half of the annual film production figures released in Japan were composed of these hour-long mini-features. Maqan ama ebar |title= (caawin)

[2] Domenig, Roland. https://web.archive.org/web/20041118094603/http://194.21.179.166/cecudine/fe_2002/eng/PinkEiga2002.htm. Waxaa laga kaydiyay the original 2004-11-18. Soo qaatay 2007-02-19. Since the mid-1960s, pink eiga have been the biggest Japanese film genre... By the late 1970s the production of pink eiga together with Roman Porno amounted to more than 70% of annual Japanese film production. Maqan ama ebar |title= (caawin)

[Domenig-3] Domenig, Roland. https://web.archive.org/web/20041118094603/http://194.21.179.166/cecudine/fe_2002/eng/PinkEiga2002.htm. Waxaa laga kaydiyay the original 2004-11-18. Soo qaatay 2007-02-19. Barameter aan la aqoon |url-status= ignored (caawin); Maqan ama ebar |title= (caawin)

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